Craig M. Wood Online

Kate Hill received a Bachelor of Contemporary Arts in Theatre in 2005 and gained her Honours studying Puppetry in 2006 through the University of Tasmania’s School of Visual and Performing Arts (SVPA).  During her Honours year she co-wrote as well as designed, created and directed the Black Light Puppetry piece, What’s under Adam?, an experimental production exploring the infinite scope of a puppet’s search for Self.  Katie’s other puppetry experience is as the Puppet Director, designer and as a puppeteer in CentrStage’s premiere production of Tis the Season by Tasmanian playwright Michelle Best, in 2007, and also as a
Wayang Kulit puppetry designer, creator and operator under the direction of Indonesian Puppet Master, Joko Susilo as part of the 2003 SVPA Graduation Production, UBU: Bush Pig.  Other performance credits include Three River Theatre’s Noises Off, One Day 4’s Could you pass me my ginger beer, please?, CentrStage’s Suffering Fools and the SVPA’s Annie’s Coming Out, Gone Fishing and Fatherland.  Katie has worked as Technical Support at Scotch Oakburn College and as Production Manager with the University’s SVPA.

Theresa O'Connor received a Bachelor of Performing Arts in Theatre in 1999 from the University of Tasmania, and since then she has worked as a Production and Stage Manager throughout Australia with such companies as Stompin, JUTE Theatre, Tasdance, UTAS, Tasmania Performs, Slipstream Circus, BIGhART, the Darwin Festival and Adelaide Fringe Festival.  In 2005 her second career took flight, when she was winner of is Theatre’s Flip Top Heart Festival, where she created and performed Passion.Little.And.Young with Nicole Jobson. Other performance credits include Three River Theatre’s The Golden Age, Tasdance’s Illuminations3, and most recently Wayne Tunks’ The Bridesmaid Must Die for CentrStage.  2007 brought a graduating performance in Dracula with Zen Zen Zo Physical Theatre, after completing their Internship Program studying the Suzuki Actor Training Method, Butoh Dance Theatre, the Meisner Technique, Viewpoints and Composition.  She has also trained with Vulcana Women’s Circus and Circa in Aerials, focusing on Trapeze and Tissu.  Theresa’s magnetism with physical theatre and puppetry will continue after creating and performing in Remnants, where she will go into phase two of creative development of Silver Strings – Who’s Controlling You? Her own work supported by Mudlark Theatre, Arts Tasmania, Tasmanian Regional Arts, Tasmanian Community Fund and Launceston City Council.
 

 Other Collaborators (Photos & Biographies pending)

Nicholas King

Tess Hansen

Charlea Edwards